Tuesday, November 13, 2012

Quarter-millionth Reader, Doctoral Comps, & Big Events

I have been away for awhile and I am excited to be back writing my blog.  Don't worry, I was doing something somewhat worthwhile - completing my testing for my Doctorate!  And now is my time to catch everyone up on what I've been up to.

First, I have to announce a solo recital of mine:

December 5, 2012 - 7:30 PM Grant Recital Hall - UMKC
Bryan Pinkall's Doctoral Solo Recital
Natalia Rivera, piano and Kelley Tracz, oboe

On this Island by Britten
Ten Blake Songs by Vaughan Williams
Four Dickinson Songs by Hoiby 

Other things that I'm looking out for:
  1. Grammy Nominee Announcement Dec. 5 - The Kansas City Chorale has been nominated and has won several Grammy's before...fingers crossed!
  2. Opera "How the Camel Got Its Hump" World-Premiere - look for announcement on this very soon, but it will be a children's opera here in Kansas City based on the Rudyard Kipling story
  3. Possible trip to Miami...
  4. Graduate and get a decent job that's worthy of the time and work I put into things!!
To explain my Doctoral Comprehensive Exams, I need you to imagine as if you were required to conduct ten operas over one month.  If that's not the most obscure part, you also won't find out what the operas are until opening night.  Whether you have studied music or not, you would first need to figure out some method of frantically waving your arms so you don't look completely incompetent.  And of course, you would try to study every possible opera that you could in case you were given one of them.  Essentially, it is an impossible task to prepare for.  In a way, however much less dramatic, my exams were like this.

I had ten tests over one month: 
  1. two essays on German Lieder that I had the entire month to complete
  2. a listening exam that played 9 random pieces of recorded music spanning the entirety of music history (they were not incredibly famous pieces either) - I had to give the composer, genre, and year that it was composed; I was scared of this test the most! - 3 hours to complete
  3. a theory exam comparing two pieces of music (again from any point in music history) that I was given at the time of the exam - 3 hours to complete
  4. a theory/history exam lasting an entire weekend from 9 AM on Friday - 9 AM on Monday in which I was required to write a scholarly essay on a random subject that I received at the time of the tests
  5. three essays over composers - 2 hours to complete
  6. two more essays over composers - 2 hours to complete
  7. two essays on my profession in the modern world - 2 hours to complete
  8. create a four-year study/performance plan for a hypothetical student - in-studio project
  9. an IPA (International Phonetic Alphabet) and translation test covering French, German, Italian, and English arias - 2 hours to complete
  10. two essays concerning specific performance practices - 4 hours to complete


As you can see, it's a lot, but it was nice that they were timed, or else I could have spent an eternity on some of the topics.  In the meantime I also did many other things. I performed several concerts with the Kansas City Chorale, which in my unbiased opinion is absolutely beautiful!  I performed as a soloist in Beethoven's Mass in C with the Village Orchestra, and I was a soloist in a Bach's "Wachet auf" Cantata with the Conservatory.  I also performed at an incredible gala event at the Kauffman Center featuring many sensational performers - it actually was one of the highest quality concerts that I have ever been a part of.  I was able to work with Pulitzer Prize-winner John Corigliano.  Yesterday, I finished a great concert series with the Te Deum Chamber Ensemble, one of the several choirs that I have been a part of.

And that's not even the end of it!  I completely was consumed with my company the Kansas City Vocal Institute, the election, college football, the MLB playoffs, and soccer.  For all those who think that is too much, you're right.  Fortunately, my wife has been a great help and certainly deserved less crankiness on my part, but Hanukkah, Christmas, her birthday, and New Year's are all coming up - plenty of presents await!

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That leads me to another very important topic - every year I advertise the Best Operatic Holiday Gifts, so look out next Monday for my list!


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Sometime on Wednesday, November 14, 2012, Bryan Pinkall's World of Opera will record its 250,000th reader!  I began this blog to record my journey into a music career.  I have written about the struggles and successes in finding a school to study opera, auditioning for opera companies, learning many opera roles, and the many other music related things that I have participated in.  I cannot believe the constant emails from readers, the occasional perks of touting my favorite things and groups, and I unfortunately I still receive hate mail from Susan Boyle fans, but I am thankful for you too!  Thank you to everyone who reads this - you have given me your time and support, grazie mille!!!!!

Monday, November 12, 2012

1936 Garmisch-Partenkirchen Winter Olympic Opening Ceremony



www.olympicceremony.org
1932 Lake Placid -1940

IV Olympic Winter Games
Garmisch-Partenkirchen, Germany
1936
Adolf Hitler Salutes at the 1936 Winter Olympic Opening Ceremony

Olympic Ceremony Records
italics indicate records at the time
  • First Ceremony to be Held at a Ski Jumping Arena
  • First Winter Olympics in which Greece Leads the Parade of Nations
  • First Olympic Cauldron in a Winter Olympic Games
  • First Fireworks at an Olympic Closing Ceremony
  • First Fireworks at an Olympic Winter Ceremony (Closing)
  • First Ceremony at Night (Closing)
  • First Use of Torches at Night
  • Largest Crowd to Witness an Olympic Winter Games Opening Ceremony - 40,000 (previous Chamonix 10,000)
  • Most Nations Participating - 28
  • Most Athletes Participating - 646
  • Most Events in a Winter Olympics - 17
Opening Ceremony
Große Olympiaschanze (40,000)
February 6, 1936
At 40,000 in attendance, this was the largest crowd to ever see an Olympic Winter Games Opening Ceremony

Video



Official Report
(click to read the excerpts regarding the Opening Ceremony)


Opening Ceremony Highlights
The 1936 Winter Olympics were the first Olympics held in Nazi Germany.  Adolf Hitler presided over these games and up to that point they were arguably the most successful Winter Olympic Games in history.  The Ceremonies also mark a major milestone in the development of the Olympic Ceremony that would later effect the Berlin Summer Olympics of 1936.  By implementing several ceremonial components, such as the Olympic Cauldron, Bells, Classical Music, and in the Closing Ceremony the use of light and fire to dramatize the event, the Garmisch-Partenkirchen ceremonies were some of the most influential in the history of the Olympic movement for their developments directly lead to the development of the first fully artistic mega-ceremony seen in Berlin only a few months later.
  • Officials Enter Stadium
  • Parade of Nations guided by 2,000 Hitler Youth
  • Games opened by Adolf Hitler
  • Bells Rung
  • Olympic Cauldron is Lit by electronic ignition
  • Olympic Flag raised to the Olympic Anthem
  • Althete's Oath
  • Olympic Band performs the Adagio from Beethoven's Fifth Symphony
  • Athlete's Depart to Marches
Photos
Gold Medal from the 1936 Winter Olympics in Garmisch-Partenkirchen, Germany
Poster from the 1936 Winter Olympics in Garmisch-Partenkirchen, Germany
The First Olympic Cauldron for an Olympic Winter Games
1936 Winter Olympic Opening Ceremony at Garmisch-Partenkirchen, Germany
The First Winter Olympic Cauldron Burning in the Snow Storm During the 1936 Winter Olympics
1936 Winter Olympic Closing Ceremonies
The Olympic Flag is Lowered at the 1936 Winter Olympic Closing Ceremonies
Similar to the 1936 Summer Games, the Nazi Winter Games also featured  ceremonial beams of light
The First Ceremonial Fireworks for an Olympic Winter Games in 1936
Adolf Hitler Arrives at the 1936 Winter Olympic Closing Ceremony
Adolf Hitler Salutes at the 1936 Winter Olympic Opening Ceremony


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