Showing posts with label Opera Review. Show all posts
Showing posts with label Opera Review. Show all posts

Monday, April 9, 2012

The Other Mary, The Grim Reaper, and SuBo fans

Hopefully you all enjoy the new layout of my blog!  It is simple and should be quick and easy to use.  Last week I started my annual Opera World Premiere Reviews.  And boy did I get some nasty responses!  First of all, I am jealous of Susan Boyle.  She is one lucky person.  But leave it to Susan Boyle fans to write me some horrible and hilarious hate mail!  If you are one of the multitude that criticized me, thank you for providing legitimacy to my egocentricity.  I wonder why people understand if Mozart would annoy me, but not Susan Boyle or...(sigh)...Josh Groban.

Oh well, hopefully I can continue my controversy with this next World Premiere!

"The Gospel According to the Other Mary"
John Adams

I cannot fully express my excitement for this piece.  John Adams is one of the most influential and most important composers in music history.  He is most famous for Nixon in China, but has had several incredible works like Dr. Atomic (opera about the making of the atomic bomb) and Transmigration of Souls (Pulitzer Prize-winning composition).  As Adams describes, this piece is a reaction to his piece on the nativity of Jesus, which is called El nino.  It is designed like a Passion oratorio - something Bach was very famous for.  A Passion restates the events of Christ's death.

This initial production will be performed by the Los Angeles Philharmonic and everybody's favorite conductor, Gustavo Dudamel (who is only slightly older than I am!).  It is actually an Oratorio, but Peter Sellers will stage the production beginning next year in a style reminiscent of the traditional Mexican funeral rites.  Staged oratorio - opera...eh, what's the difference?

Besides the bible stories of Jesus, Mary Magdalene, and Lazarus, the libretto is completely based on the poetry of prominent female writers including Dorothy Day, June Jordan, Louise Erdich, and Rosario Castellanos.  The narrators are three countertenors!  (which already implies that only the biggest houses in the world may be able to afford to stage this)  Of course there are other soloists, including Mary Magdalene, orchestra, and a large chorus.  The piece is only 90 minutes long!

Now, if you don't know much about Minimalism, this piece may be a shock to you.  But unlike other minimalist or post-minimalist composers like Glass or Reich, Adams generally composes with great excitement and with HUGE bombastic complexity.  It is kind of like the excitement of John Williams (Star Wars, Indiana Jones) if he were only able to work with 5 chords and a car alarm going off.

Fortunately for us, the Mary Magdalene in this premiere is making a couple of video blogs - they aren't followed by many, so we're going to give her a little boost!  Take a listen to a couple of them, you get to hear two 5 second clips of the music...



As for the rating - this one definitely gets my highest rating of 2 Pav hankies!  I am so excited to hear it!


Last week, I sang the National Anthem at the US Olympic Volleyball Championships.  It was quite incredible.  They had 48 courts, end to end, with bleachers and all - several thousand competitors!  I was honored to sing!

Also, I went to a Sporting KC soccer game FOR FUN!  I don't normally do things just for fun, so I had a great time tailgating with my wife and her cousins.

Shameless promotion for Bud Light
(I will promote other brands if I get free stuff, by the way!)

I cannot help but mention the incredible music I was a part of at the Easter services at Village Presbyterian Church.  Giant choir, brass orchestra, organ reed stops, Celtic Alleluia, Lift High the Cross, Hallelujah Chorus, several thousand people in the congregation, etc., etc. I feel so lucky to be a musician there; the largest church in the entire denomination!  If you love music and live in Kansas City, you MUST experience Village Presbyterian Church sometime!

Next week, we premiere The Little Match Girl Passion at the Nelson Atkins Museum of Art - one of the world's greatest art museums.  It is post minimalist and the saddest thing that you have ever heard - but beautiful.  I have a solo in it;  believe it or not, my part is to sputter the word "come" as fast as I can for about 5 minutes.  It is intended to be the voice of a freezing little girl dying on the street corner.  Like I said, it is horrifically sad, but absolutely beautiful.

Finally, here is the last of John Mueter's Three Volga German Songs - Der Zecher.


Tuesday, April 3, 2012

Three Susan Boyles!

I apologize for the late posting of my new blog entry, while I have been busy procrastinating...(pause)...I needed time to finish my paper on the Schmalkaldic War's effect on Lutheran music in the Holy Roman Empire.  That's right, I bet you can't wait to hear my presentation.  It's actually very interesting:  war, an assassination of a Cardinal, anti-popes, King Henry VIII, and all sorts of other juicy stuff.  All you Catholics out there must thank the French for hating Germany or else the Catholic Church could have easily followed Luther's teachings.

Anyway, this is the first week of April, which means this is the first of my World Premiere Rankings for 2012!  Last year, I began this controversial effort to pre-review several World Premiere operas, ranking them from bad (2 Susan Boyles) to good (2 Pavarottis).  I promise that in the past year, I have learned from my mistakes and will not be so quick to judge and will give everyone a fair shot.  So get ready for some mediocre and unenthusiastic prejudices!

And to begin, I could not help myself but pre-review I Dreamed a Dream: The Susan Boyle Musical.  I know it is not an opera, but it has the possibility to earn my worst score (4 Susan Boyles).  I know the worst possible score is 2 Susan Boyles, but there is a person playing Susan Boyle and the actual Susan Boyle in this premiere.

However, I have to give this a decent rating.  First, I imagine that the reason a musician made this into a musical, other than to make a profit, was that they knew thousands of better singers than Susan Boyle and knew that even the writer herself could play the leading role and sing better than the real Susan Boyle!  Also, it is like a real-life Bialystock and Bloom production in the film "The Producers", only I thought "Springtime for Hitler" was very creative and hilarious (I laughed to the point of pain the first time I saw it) - I doubt I would leave this musical in glorious laughter-induced hiccups, but there's a chance!



Since I cannot quit laughing, I will give it only one Susan Boyle!

One Susan Boyle
But that means this received the lowest possible score of 3 Susan Boyles because two Susan Boyles are in the show itself - this is not likely ever to be achieved again!!  So here are two more:

Flirty Susan Boyle

Mad Susan Boyle



I cannot help but comment on the atrocious National Anthem at the NCAA National Championship Game...I hope that the NAIA National Championship Game National Anthem was slightly better (I sang that a couple weeks ago!)




And on that topic, I will be singing the National Anthem on Friday at the US Olympic Volleyball Club Championships here in Kansas City!

Finally, I have the second of the Three Volga German songs that I debuted in February ready for you to enjoy!  Thank you John Mueter for your wonderful songs!

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