What a stupendous week it has been! I cannot believe how many people have contacted me through email and phone calls and facebook. Thank you for your comments and well wishes, especially everyone from my hometown of Great Bend, Kansas. I miss you all! It truly has been incredible.
I have to say that my favorite story of the week came from a singer in the Symphony Chorus. He's a tenor and had an amazing story about when he sang with Robert Shaw - the "Father Abraham" of choral conductors. He casually mentioned that he was a singer in Shaw's chorus, the Atlanta Symphony Chorus and won five Grammy awards with them. Then he said that the excitement for the opening of the Kauffman Center was about what he felt when he sang in the Opening Ceremonies of the Atlanta Olympics in 1996. He certainly did not know what that means to me. I literally have the opening ceremonies of the '96 games memorized...the television commentary; the rhythm, tempo, and timbre of Bob Costas describing the excitement of seeing Team USA ascending the ramp into the stadium with the quote "and the reaction" and the immediate fanfare of John Williams' "Summon the Heroes" as the camera shoots quickly toward President Clinton clapping, smiling with his jaw hanging open.
That event 15 years ago kicked my passion in music to a new level. The whole artistic portion of the ceremony was a giant opera about the history of the American South. Anyway, the Kauffman Center Opening truly was Olympic-esque. Here is a video of what was playing outside of the Kauffman Center of Opening Night.
Unfortunately, there isn't video yet from my scene that night, but I did find some great photos online from the final dress rehearsal earlier that day.
This last week was just a whirl-wind. I have been incredibly busy and unfortunately I have also been suffering one of the worst allergy weeks of my life. I finally "hit the wall" on Saturday and have been resting over the weekend. It really puts drag on my practicing regimen with so much to memorize including an opera role. I hope I will feel better so I can get back to 100%.
When I do, I will be preparing for an opera, Le nozze di Figaro by Mozart (the Marriage of Figaro), and for several other things as well. As always, you can check my schedule at www.bryanpinkall.com to see what I have coming up. Right now, most of the events are all in Kansas City, not surprisingly, but audition season is fast approaching, which will probably take me all over the place.
In the past, I have just given updates on the auditions as they happen, but this year, I have been asked by some singers who are just getting into the field, to go into a little more detail on how I prepare for auditions and what it takes to get a live audition and (if I'm lucky) win a role. So, starting next week, I will be showing what goes on "behind the scenes" and you will all travel and see with me, how successful this audition season goes.
Lastly, I just wanted to announce that my charity organization, the Kansas City Vocal Institute, is once again planning to have an online auction to raise money for scholarships. Last year was very successful and we awarded scholarships with donations from people such as: Maya Angelou, David Cook, Melissa Etheridge, Angelina Jolie, Yo-Yo Ma, Stephen Sondheim, Eric Whitacre, John Williams, and many more. Hopefully, those folks will want to continue their scholarships through KCVI this year, and we are asking even more celebrities to contribute. I hope that each of the coming weeks, I will be able to announce some celebrities who will be renewing their scholarship funds and will participate in this year's celebrity charity auction. Last year, we raised $3,141.08 which provided over 100 hours of free or greatly discounted music lessons for kids and families here in Kansas City, however those scholarships quickly ran out, as many in this Great Recession took advantage of the free lessons. Many more are still waiting, so I hope that this year, we will have a great turnout and that we can provide more with free professional music education.
Olympic Ceremony Database, video and info on every summer and winter Olympic Opening Ceremony
Showing posts with label Kauffman Center Grand Opening. Show all posts
Showing posts with label Kauffman Center Grand Opening. Show all posts
Monday, September 26, 2011
Monday, September 19, 2011
Saturday, September 17, 2011
Kauffman Center Grand Opening Week: More to come!
A completely unbelievable night, last night! But yet, there's still more to come with the Grand Opening to the Symphony Hall! And, I'm invited to the ball afterward!
Yesterday, though, was magical. Here are my facebook posts from yesterday:
10:00 AM - "Today will be a good day! First sing some Bach Evangelist, then some West Side Story!"
1:00 PM - "At the opera house...in the dressing room...ready to go! last dress rehearsal before the Grand Opening...CALLED TO STAGE!...I'm going on..."
2:00 PM - "Dress rehearsal went awesome...plus, got to meet the Canadian Brass!"
2:30 PM - "on stage with Domingo!!!"
3:00 PM - "Dress Rehearsal done...now it's time for the big show!"
5:00 PM - "Security is tight...internet access is even tighter...can't wait for this thing to start"
6:00 PM - "House is open, in costume...30 minutes until the opening...what a night! Listening to the red carpet interviews on KCUR while I wait for my call..."
7:00 PM - "Curtain Up!"
9:00 PM - "IT WENT GREAT!!!! Met with Placido...UNBELIEVABLE!!!!"
10:00 PM - ""Tonight, won't be just any night"...it was the most amazing night ever! Sang and acted at my very best, got to meet with Domingo and Patti LuPone, and received the most unforgettable, gracious praise from the Kauffmans and Helzbergs...just amazing!!!"
I have a lot of video still...so much more still to come!
Yesterday, though, was magical. Here are my facebook posts from yesterday:
10:00 AM - "Today will be a good day! First sing some Bach Evangelist, then some West Side Story!"
1:00 PM - "At the opera house...in the dressing room...ready to go! last dress rehearsal before the Grand Opening...CALLED TO STAGE!...I'm going on..."
2:00 PM - "Dress rehearsal went awesome...plus, got to meet the Canadian Brass!"
2:30 PM - "on stage with Domingo!!!"
3:00 PM - "Dress Rehearsal done...now it's time for the big show!"
5:00 PM - "Security is tight...internet access is even tighter...can't wait for this thing to start"
6:00 PM - "House is open, in costume...30 minutes until the opening...what a night! Listening to the red carpet interviews on KCUR while I wait for my call..."
7:00 PM - "Curtain Up!"
9:00 PM - "IT WENT GREAT!!!! Met with Placido...UNBELIEVABLE!!!!"
10:00 PM - ""Tonight, won't be just any night"...it was the most amazing night ever! Sang and acted at my very best, got to meet with Domingo and Patti LuPone, and received the most unforgettable, gracious praise from the Kauffmans and Helzbergs...just amazing!!!"
I have a lot of video still...so much more still to come!
Friday, September 16, 2011
Kauffman Center Grand Opening Week: Show Time!
Tonight is the night! I have a lot of video from today and I am so excited to share it with you all. You can follow me throughout the day at facebook.com/pinkall.
I have met and seen many people today and I just got off the stage with Placido Domingo.
More posts and videos to come!!
I have met and seen many people today and I just got off the stage with Placido Domingo.
More posts and videos to come!!
Thursday, September 15, 2011
Wednesday, September 14, 2011
Tuesday, September 13, 2011
Kauffman Center Grand Opening Week: Rehearsing
Howdy folks! Here are some photos taken by another cast member that I found on facebook. Enjoy!
I will have more either very late tonight or most likely tomorrow on my first experience in Helzberg Hall, the new Symphony Hall!
CLICK HERE TO VIEW MY UPCOMING SCHEDULE
I will have more either very late tonight or most likely tomorrow on my first experience in Helzberg Hall, the new Symphony Hall!
CLICK HERE TO VIEW MY UPCOMING SCHEDULE
Monday, September 12, 2011
Kauffman Center Grand Opening Week: First Rehearsal in the New Opera House
I will be posting daily this week...some of the posts may be late, depending on when I can get to the internet after rehearsals. Anyway, please go to www.bryanpinkall.com to see my updated website, with new images, recordings, and schedule! You can also read my blog on it as well.
Monday, September 5, 2011
6 Classical Music Pieces to Commemorate 9/11
The Kauffman Center Grand Opening is nearly here! I am so excited to sing in the opening event, and for those who haven't been following recently, I will have an incredibly exciting opportunity to be a soloist (Tony) in the West Side Story scene "Tonight" at the Grand Opening of the new opera house here in Kansas City on September 16 (Placido Domingo, among many other musicians, will also perform on the concert). Tickets (ranging from $1,000 to $70,000) are sold out unfortunately, but I am hoping that it will be recorded and perhaps broadcast at some point. The Kauffman Center is one of the largest and most expensive performing art centers ever built in the world. We have been rehearsing with the chorus and dancers. There are around 50 people in our scene alone!
I tried on my costume, as most of the dancers and chorus members are dressed very sexy. I was somewhat nervous, mainly because I am self-conscious about my bright white belly being shown in public. I was told that my costume would be all white along with Maria's (the gangs being in either black or red). They handed me my costume: white jeans, a v-neck cotton shirt, and white leather Members Only jacket. I put on the jeans...and they're skin tight. I put on the shirt...and it is so loose and thin that you can see through it, plus every curve of my 1 pack. Well, the jacket is pretty cool - although you can't see my awesome biceps anymore! Standing in front of the mirror, my costume looked...well, good. I opened the door and the costume designer dressed in skinny white jeans as well, only with a bright tropical floral print button-up shirt, spiked and blonde-died hair, and thick tiger's eye rimmed glasses that had lenses so small they were about the size of his eye. It was like I put on my costume and I suddenly was transported into Back to the Future: Part 2. The costume designer LOVED how my costume looked. Thankfully, after years of racewalking, my legs don't look too bad in skin tight jeans. Now, hopefully I get some high top converse shoes to go with it!
Later this week I will have my first rehearsal with the symphony and I will be going to the opera house for the first time as well! I will certainly keep you all updated with special notes as well as other information about the event. Also, some have been asking me about the producers of the event. They've produced Super Bowl halftime shows and the Eiffel Tower Centennial. http://www.kansascity.com/2011/08/23/3094607/kauffman-center-gala-producers.html If you cannot make it to either Grand Opening event, be sure to get a free ticket to attend the open house on the 18th. There will be concerts and performers all day long. http://tickets.kauffmancenter.org/single/SelectSeating.aspx?p=3391
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Now on to a serious topic. With September 11 nearing, I have been remembering what it was like ten years ago. I was at the state fair in a high school band competition, marching in a parade, when the towers were hit. We got to the state fair and I stood at the KAKE channel 10 booth and watched TV for the rest of the day. I will never forget that day and the moments I lived, or the confusion, listening to the apocalyptic descriptions on the radio on the bus. Everyone loudly trying to figure out what had happened, some not caring about the news...that was until we all knew and saw what had happened.
So many musicians poured their lives into compositions and concerts in the following days and years. I wanted to put together my top six classical music pieces inspired by the attacks; they are all varied in styles, so if you don't care for one on one day, chances are you'll like the one on the next day. Also, it seems to me, that this is a very peaceful way to learn and reflect on this event - it has changed who we are and was certainly a pivotal moment in all our lives. In the following days, if you come back to my blog, you will be able to watch performances of them. I wanted to give them their due, so I will only feature one per day.
6 CLASSICAL MUSIC PIECES TO COMMEMORATE 9/11
6. The Star-Spangled Banner
5. One Sweet Morning by Corigliano
4. WTC 9/11 by Steve Reich
3. An American Requiem by Danielpour
2. On the Transmigration of Souls by Adams
1. The Armed Man: A Mass for Peace by Jenkins
But as today is the seventh day out, I would like to post the Today Show coverage of the morning of September 11, 2001. I always find it shocking to witness the calamity and panic, but I cannot seem to pull myself away from it either.
Brief Timeline:
8:46 AM - Flight 11 crashes into 1 WTC
9:02 AM - Flight 175 crashes into 2 WTC
9:37 AM - Flight 77 crashes into the Pentagon
9:59 AM - 2 WTC collapses
10:03 AM - Flight 93 crashes in Pennsylvania
10:28 AM - 1 WTC colapses
(the coverage begins about 30 seconds in - you can keep track of the timeline with their clock at the bottom of the screen - I have only embedded video of the major events, but put links to the coverage of the rest of the day)
Today Show Coverage Part 1
Today Show Coverage Part 2
Today Show Coverage Part 3
Today Show Coverage Part 4
Today Show Coverage Part 5
Today Show Coverage Part 6
Today Show Coverage Part 7
Today Show Coverage Part 8
Today Show Coverage Part 9
Today Show Coverage Part 10
Today Show Coverage Part 11
Today Show Coverage Part 12
Please let me know what you were up to on 9/11 and how you found out about the attacks. I would love to hear your stories.
Monday, August 29, 2011
Conservatory Auditions
What a week it has been! Thank you to everyone for your interest and support and well wishes! For those who didn't see, you can read the big news by clicking here. But, now it is on to more preparation and rehearsing. I have been adding more to my schedule, which is very exciting. I will be singing on some lunch time Bach cantatas, punned as "Bach's Lunch". Oh, musicians...you make my sides hurt!
Also, on Saturday, I had the Conservatory Auditions for the upcoming opera season. They are planning on La nozze di Figaro (the Marriage of Figaro) by Mozart, La Tragedie de Carmen by Brooks/Bizet, and a night celebrating the music of Carlisle Floyd directed by Metropolitan Opera conductor George Darden. I won't hear any results until later in the week, but weeks ago - since I'm primarily a Mozart-type tenor - I expected to compete well for the Figaro roles. Well, it was later suggested to me that I should offer something higher and more lyric, obviously hinting that I shouldn't count out the role of Don Jose in Carmen.
So, I went out on a limb and prepared Questa o quella from Rigoletto, an aria that I have done many times - and for the record, do not enjoy it, but recognize that everyone else does (ugh!). If they want to hear my high notes, they get most of what I have to offer in that aria. My lesson and coaching times are at 10 am (which is preposterously early, I know) but it is nothing that Mr. Coffee and I can't tackle. I say that because I have generally been preparing to sing that high aria early in the day, and I scheduled to have one of the last audition spots in the afternoon on Saturday.
On the audition day, I went to the Conservatory early, to practice some Bach stuff for another gig later in September. By the time I was done practicing, my voice was in super high mode. I waited for my audition, walked down the rows of the house and on to the stage after handing my music to my coach. And boom, my voice was rocketing pretty high. I am not sure if anyone noticed, but I sang the wrong verse. I knew most people wouldn't realize it if I finished the verse with the correct high note. Incidentally, I botched it exactly as Franco Corelli did in this recital.
I have always thought that Pavarotti sang this aria better than anyone that I have ever heard (and I have heard MANY). The way that he approaches the very end is incredibly impressive - with easy and power (on an "ee" vowel no less). It's stupid good!
Like I said, if you don't know the piece or paid enough attention, you wouldn't know that Pavarotti sang the correct verses and Corelli didn't. But, when I sang, besides the switching of verses, it was probably one of the best times that I have performed it. After I finished, the opera director said, "wow...well...I guess we'll hear your other piece as well". And then I sang En fermant les yeux from Manon...messing up a few times on the diction. (thank you France for your simple language) And that was it, we then talked for a little bit about if I would be comfortable with the Flower Aria from Carmen, and I said that I would be fully confident in it.(secretly pretty excited because it is not too likely that a voice like mine would do Don Jose too often) So, now we'll wait... I have a callback audition tomorrow evening. Here is a recording of the flower duet - in case you don't already know it.
As for my once-in-a-lifetime opportunity with the Kauffman Center Grand Opening, I have found out more information about the event, like costuming and set design. I am hesitant to put anything online about that yet, in case they want to keep that secret as well, but it will be very exciting (and sexy) indeed. That's all I will say for that right now...(ha ha, now you're probably very curious). The first rehearsal is tomorrow afternoon, so I am very excited for that!
Lastly, I am planning a recital - a date has yet to be determined - but it will be a memorial to my ancestry, the Volga Germans, who 70 years ago were expelled from Russia by Stalin beginning the Forgotten Genocide. All were either displaced, deported, or purposefully starved - over 300,000 died initially in the genocide and untold numbers (millions perhaps) died in Siberian labor camps. To learn more, visit http://expelledgermans.org/volgagermans.htm
To remember them, my ancestors, I will be performing music of the region, which was greatly diverse and unique in Western Civilization as it was a crossroads between the east and the west. Most of it will be Western music influenced by Eastern sources. I'll have music by Bach, Rimsky-Korsakov, Cui, Ravel, and a special collection, a world premiere, of Volga German folk songs in a more modern musical language, written especially for this recital by another musician with German ancestry. As soon as I finalize the dates and whatnot, I will be publicizing this. I hope some of you in the area will be able to come.
Check back daily for more updates...I have something special planned for later in the week!
SCHEDULE
(still working on this - there's a lot to keep track of!)
Also, on Saturday, I had the Conservatory Auditions for the upcoming opera season. They are planning on La nozze di Figaro (the Marriage of Figaro) by Mozart, La Tragedie de Carmen by Brooks/Bizet, and a night celebrating the music of Carlisle Floyd directed by Metropolitan Opera conductor George Darden. I won't hear any results until later in the week, but weeks ago - since I'm primarily a Mozart-type tenor - I expected to compete well for the Figaro roles. Well, it was later suggested to me that I should offer something higher and more lyric, obviously hinting that I shouldn't count out the role of Don Jose in Carmen.
So, I went out on a limb and prepared Questa o quella from Rigoletto, an aria that I have done many times - and for the record, do not enjoy it, but recognize that everyone else does (ugh!). If they want to hear my high notes, they get most of what I have to offer in that aria. My lesson and coaching times are at 10 am (which is preposterously early, I know) but it is nothing that Mr. Coffee and I can't tackle. I say that because I have generally been preparing to sing that high aria early in the day, and I scheduled to have one of the last audition spots in the afternoon on Saturday.
On the audition day, I went to the Conservatory early, to practice some Bach stuff for another gig later in September. By the time I was done practicing, my voice was in super high mode. I waited for my audition, walked down the rows of the house and on to the stage after handing my music to my coach. And boom, my voice was rocketing pretty high. I am not sure if anyone noticed, but I sang the wrong verse. I knew most people wouldn't realize it if I finished the verse with the correct high note. Incidentally, I botched it exactly as Franco Corelli did in this recital.
I have always thought that Pavarotti sang this aria better than anyone that I have ever heard (and I have heard MANY). The way that he approaches the very end is incredibly impressive - with easy and power (on an "ee" vowel no less). It's stupid good!
Like I said, if you don't know the piece or paid enough attention, you wouldn't know that Pavarotti sang the correct verses and Corelli didn't. But, when I sang, besides the switching of verses, it was probably one of the best times that I have performed it. After I finished, the opera director said, "wow...well...I guess we'll hear your other piece as well". And then I sang En fermant les yeux from Manon...messing up a few times on the diction. (thank you France for your simple language) And that was it, we then talked for a little bit about if I would be comfortable with the Flower Aria from Carmen, and I said that I would be fully confident in it.(secretly pretty excited because it is not too likely that a voice like mine would do Don Jose too often) So, now we'll wait... I have a callback audition tomorrow evening. Here is a recording of the flower duet - in case you don't already know it.
As for my once-in-a-lifetime opportunity with the Kauffman Center Grand Opening, I have found out more information about the event, like costuming and set design. I am hesitant to put anything online about that yet, in case they want to keep that secret as well, but it will be very exciting (and sexy) indeed. That's all I will say for that right now...(ha ha, now you're probably very curious). The first rehearsal is tomorrow afternoon, so I am very excited for that!
Lastly, I am planning a recital - a date has yet to be determined - but it will be a memorial to my ancestry, the Volga Germans, who 70 years ago were expelled from Russia by Stalin beginning the Forgotten Genocide. All were either displaced, deported, or purposefully starved - over 300,000 died initially in the genocide and untold numbers (millions perhaps) died in Siberian labor camps. To learn more, visit http://expelledgermans.org/volgagermans.htm
To remember them, my ancestors, I will be performing music of the region, which was greatly diverse and unique in Western Civilization as it was a crossroads between the east and the west. Most of it will be Western music influenced by Eastern sources. I'll have music by Bach, Rimsky-Korsakov, Cui, Ravel, and a special collection, a world premiere, of Volga German folk songs in a more modern musical language, written especially for this recital by another musician with German ancestry. As soon as I finalize the dates and whatnot, I will be publicizing this. I hope some of you in the area will be able to come.
Check back daily for more updates...I have something special planned for later in the week!
SCHEDULE
(still working on this - there's a lot to keep track of!)
Wednesday, August 24, 2011
BIG ANNOUNCEMENT
I will be a featured soloist (Tony) in an ensemble performing "Tonight" from West Side Story, at the Grand Opening Event of the opera house at the Kauffman Center for the Performing Arts - featuring Placido Domingo, among others - on September 16, 2011. Tickets are sold out (they were so cheap to begin with - see below for details). The following was my initial post (that I got in trouble for posting too soon - oops!) about the event, fully uncensored for everyone's enjoyment along with many articles.
_______________
Growing up, I was always captivated by the grandiose productions of the Olympics, the Three Tenors specials on PBS, and even the high school marching band. In these I dreamt dreams and felt feeling that led me to forget the world and live within an imagined box of extremes. I shot the game winning basketball shot in the NCAA finals, I sank an eagle putt to win the US Open, and I had an awesome police car and chased down bank robbers.
But as I got older, the realization never really came, that my impossible dreams were just of my mind and couldn't actually happen. Of course I knew failure very well. Even though I wasn't the best basketball player didn't mean that I couldn't live the excitement of sinking the game-winning shot in my head. The dream that I could be like Pavarotti or be like Tiger Woods always was possible to me. And in a way, when I would get great opportunities later in life, my reaction to them was always more muted than what I imagined as a kid. So I stuck to my imagination - it was much more exciting than the glories of the real world.
I had a childhood infatuation with marching bands - the power, the militaristic uniformity, the emotion from the music. In high school, I auditioned to be the drum major (I didn't get it). But, as a small kid, if given that opportunity, I would have made that as important as life itself. As a child, if I had known that I could be the high school drum major, I would be proud and nervous and excited that I had a future capable of something so great. I tend to forget the simple enthusiasm. I forget that I have had many accomplishments and projects that I should give the full joy of my youth - even to the things as simple as auditioning for the high school band drum major.
Recently, a small bit of news, an opportunity, arose that caused a flood of these childhood emotions of pride, nervousness, excitement. I don't believe I ever said "yes" but instead I said that I was "horribly excited" for the opportunity. Of course I meant "yes", but it never came out that way.
Here in Kansas City, what will likely be the most expensive performing art center (about half a billion dollars) and one of the most architecturally complex structures in the entire world will open in September, with the Kauffman Center for the Performing Arts.
I have been trying my hardest to find a performance opportunity there, in their inaugural season. Performing there is not the only part that I was wanting to do. I knew for about a year - with the rumblings and rumors around the arts circles in KC - that Placido Domingo (and for those under rocks - he was one of the Three Tenors) would be singing at the Grand Opening event. It was then announced early this year that there would be two Grand Openings, the first for the opera house and the second for the symphony hall and would feature Placido Domingo, Itzhak Perlman, Diana Krall, and others. It would certainly be one the most important music events in the nation this year, but I can not afford a ticket.
The offer that was presented to me in the phone call - seemingly out of the blue - was to sing the role of Tony in the "Tonight" scene from West Side Story at the Grand Opening of the opera house at the Kauffman Center. My mind exploded! I immediately knew the importance of the event and who all would be singing with me. I would be performed would be performed with the Kansas City Symphony under the baton of Michael Stern along with a large company (about 50) of singers and dancers. More information flooded through the phone conversation, including that it is being produced by a Hollywood production company - presumably filmed, recorded, lights, etc. The performance will take place on September 16, with rehearsals beginning on September 11.
Beyond the shock of the news, it took a long time for me to realize that I would be on the same concert as Placido Domingo along with other great artists. The tickets alone, which range from $1,000 to $70,000, are enough to pressure any performer to taking a quick shot of tequila, trying to forget that people actually will pay that much to hear you sing. And, shortly into the scene, Tony begins his solo with the "tonight" theme. The thought of it is still so exciting - I would be singing a solo at the grand opening of the opera house at the Kauffman Center, with the KC Symphony, a full house that has paid out the wazoo to be there, 50 singers and dancers, a Hollywood production company, and with my name on the same program as Placido Domingo - the most famous living opera singer, and one of the greatest tenors in history.
This is an amazing opportunity, that I will not waste, and I will live it with the passion of my childhood. Who knows what the future holds, but as for right now, I am so excited to live in the moment - just like a kid.
So, now that the world knows, I will be posting press releases (so far they haven't been updated since earlier this year) about the other performers and all the events involved with the opening of the Kauffman Center. I hope this will make Kansas City a great destination and capital for music. I am so honored and excited to be a part of it.
CHECK OUT THE LINKS AND PHOTOS BELOW:
Opening Gala Press Release
http://www.kansascity.com/2011/08/23/3094607/kauffman-center-gala-producers.html
Information About Grand Opening Tickets (good luck!)
http://www.kauffmancenter.org/events-tickets/grandopening/
Kauffman Center for the Performing Arts Wikipedia Page
http://en.wikipedia.org/wiki/Kauffman_Center_for_the_Performing_Arts
Kauffman Center Pictures from July
http://web.me.com/rein4kc/Site/Kansas_City/Pages/kauffman_pre-open_tour.html
Kauffman Center Official Website
http://www.kauffmancenter.org/
NPR Kauffman Center Blog
http://soundandglass.org/
_______________
Growing up, I was always captivated by the grandiose productions of the Olympics, the Three Tenors specials on PBS, and even the high school marching band. In these I dreamt dreams and felt feeling that led me to forget the world and live within an imagined box of extremes. I shot the game winning basketball shot in the NCAA finals, I sank an eagle putt to win the US Open, and I had an awesome police car and chased down bank robbers.
But as I got older, the realization never really came, that my impossible dreams were just of my mind and couldn't actually happen. Of course I knew failure very well. Even though I wasn't the best basketball player didn't mean that I couldn't live the excitement of sinking the game-winning shot in my head. The dream that I could be like Pavarotti or be like Tiger Woods always was possible to me. And in a way, when I would get great opportunities later in life, my reaction to them was always more muted than what I imagined as a kid. So I stuck to my imagination - it was much more exciting than the glories of the real world.
I had a childhood infatuation with marching bands - the power, the militaristic uniformity, the emotion from the music. In high school, I auditioned to be the drum major (I didn't get it). But, as a small kid, if given that opportunity, I would have made that as important as life itself. As a child, if I had known that I could be the high school drum major, I would be proud and nervous and excited that I had a future capable of something so great. I tend to forget the simple enthusiasm. I forget that I have had many accomplishments and projects that I should give the full joy of my youth - even to the things as simple as auditioning for the high school band drum major.
Recently, a small bit of news, an opportunity, arose that caused a flood of these childhood emotions of pride, nervousness, excitement. I don't believe I ever said "yes" but instead I said that I was "horribly excited" for the opportunity. Of course I meant "yes", but it never came out that way.
Here in Kansas City, what will likely be the most expensive performing art center (about half a billion dollars) and one of the most architecturally complex structures in the entire world will open in September, with the Kauffman Center for the Performing Arts.
I have been trying my hardest to find a performance opportunity there, in their inaugural season. Performing there is not the only part that I was wanting to do. I knew for about a year - with the rumblings and rumors around the arts circles in KC - that Placido Domingo (and for those under rocks - he was one of the Three Tenors) would be singing at the Grand Opening event. It was then announced early this year that there would be two Grand Openings, the first for the opera house and the second for the symphony hall and would feature Placido Domingo, Itzhak Perlman, Diana Krall, and others. It would certainly be one the most important music events in the nation this year, but I can not afford a ticket.
(I guarantee you'll know the end of this, even if you've never gone to an opera)
The offer that was presented to me in the phone call - seemingly out of the blue - was to sing the role of Tony in the "Tonight" scene from West Side Story at the Grand Opening of the opera house at the Kauffman Center. My mind exploded! I immediately knew the importance of the event and who all would be singing with me. I would be performed would be performed with the Kansas City Symphony under the baton of Michael Stern along with a large company (about 50) of singers and dancers. More information flooded through the phone conversation, including that it is being produced by a Hollywood production company - presumably filmed, recorded, lights, etc. The performance will take place on September 16, with rehearsals beginning on September 11.
Beyond the shock of the news, it took a long time for me to realize that I would be on the same concert as Placido Domingo along with other great artists. The tickets alone, which range from $1,000 to $70,000, are enough to pressure any performer to taking a quick shot of tequila, trying to forget that people actually will pay that much to hear you sing. And, shortly into the scene, Tony begins his solo with the "tonight" theme. The thought of it is still so exciting - I would be singing a solo at the grand opening of the opera house at the Kauffman Center, with the KC Symphony, a full house that has paid out the wazoo to be there, 50 singers and dancers, a Hollywood production company, and with my name on the same program as Placido Domingo - the most famous living opera singer, and one of the greatest tenors in history.
This is an amazing opportunity, that I will not waste, and I will live it with the passion of my childhood. Who knows what the future holds, but as for right now, I am so excited to live in the moment - just like a kid.
So, now that the world knows, I will be posting press releases (so far they haven't been updated since earlier this year) about the other performers and all the events involved with the opening of the Kauffman Center. I hope this will make Kansas City a great destination and capital for music. I am so honored and excited to be a part of it.
CHECK OUT THE LINKS AND PHOTOS BELOW:
Opening Gala Press Release
http://www.kansascity.com/2011/08/23/3094607/kauffman-center-gala-producers.html
Information About Grand Opening Tickets (good luck!)
http://www.kauffmancenter.org/events-tickets/grandopening/
Kauffman Center for the Performing Arts Wikipedia Page
http://en.wikipedia.org/wiki/Kauffman_Center_for_the_Performing_Arts
Kauffman Center Pictures from July
http://web.me.com/rein4kc/Site/Kansas_City/Pages/kauffman_pre-open_tour.html
Kauffman Center Official Website
http://www.kauffmancenter.org/
NPR Kauffman Center Blog
http://soundandglass.org/
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