Showing posts with label Conservatory. Show all posts
Showing posts with label Conservatory. Show all posts

Monday, December 3, 2012

Bryan Pinkall's Doctoral Recital - Britten, Vaughan Williams, Hoiby


If you are free this Wednesday and if you are in Kansas City - well, you should come hear what should be a great recital.  I will be performing three song cycles: On this Island by Benjamin Britten, Ten Blake Songs by Ralph Vaughan Williams, and Four Dickinson Songs by Lee Hoiby.  As for the poster, well it is much more effective in the hallway than in a jpeg image on the internet.  Unfortunately, the printers messed up printing my posters, so if you were at the Conservatory and thought "I cannot read that poster!", don't worry, it'll be fixed tomorrow.  I just wanted a plain bright sign that could jump out amid bulletin boards filled with lavish pictures of headshots, pastoral scenes, and church interiors.  Here is some info about what will be on the concert:

On this Island is a Benjamin Britten song cycle of Wystan Hugh Austen poetry about the magical isles of Britannia.  This was Britten's first published song cycle for piano and is an incredibly eclectic setting of poetry from one of his favorite poets.  Austen and Britten met in 1935 working together in a GPO Film Documentary and their encounter immediately inspired Austen to write poetry dedicated to Britten who composed them as part of this song cycle.  The most exciting part of this cycle is the variety of songs:
  1. "Let the Florid Music Praise" is a bright, neo-baroque anthem to the Empire
  2. "Now the Leaves are Falling Fast" is a hurried, rhythmic piece inspiring images of the blustery wilderness in Winter and musical inferences to Schubert's lieder
  3. "Seascape" is perhaps the most characteristically Britten of the set, displaying careful musical descriptions of the seas crashing against the white cliffs of Dover.
  4. "Nocturne" is a vignette depicting the debaucherous but unconscious world of sleepers
  5. "As it is Plenty" is a cabaret-like moment satirizing the middle-class businessman and his problems
Ten Blake Songs by Vaughan Williams is a very unique set of duets for voice and oboe with unaccompanied movements for solo voice.  The text is derived from several of William Blake's poems within Songs of Innocence and Experience.  It is a song cycle that allows for incredible detail in its simplicity as the oboe adds a musical persona, feeding the artistry of the voice and text.

Four Dickinson Songs by Lee Hoiby is a peculiar song cycle that delves deep into the mind of Emily Dickinson and her poetry.  This rarely performed and recorded song cycle shows the mastery of Hoiby's collaborative and dramatic piano accompaniment as it vividly reproduces the images that Dickinson describes.
  1. "A Letter" is simply set to that of a brief letter from Dickinson to a prospective teacher.  She curiously and lightheartedly talks about her family, including their misunderstanding of her artistic and inquisitive nature.
  2. "How the Waters Closed" is a stark and vivid description of a drowned boy  whose only remains are a floating hat and jacket.
  3. "Wild Nights" is a rapturous song of sexual passion
  4. "There Came a Wind" details in glorious description the terror and resolution of an enormous storm
Please come to Grant Hall at the UMKC Conservatory.  This is a different hall than what most are expecting.  The venue itself is on the second floor of the building Grant Hall at 53rd and Holmes.  Don't be late! 7:30 THIS WEDNESDAY - I hope to see you there!




Tuesday, November 13, 2012

Quarter-millionth Reader, Doctoral Comps, & Big Events

I have been away for awhile and I am excited to be back writing my blog.  Don't worry, I was doing something somewhat worthwhile - completing my testing for my Doctorate!  And now is my time to catch everyone up on what I've been up to.

First, I have to announce a solo recital of mine:

December 5, 2012 - 7:30 PM Grant Recital Hall - UMKC
Bryan Pinkall's Doctoral Solo Recital
Natalia Rivera, piano and Kelley Tracz, oboe

On this Island by Britten
Ten Blake Songs by Vaughan Williams
Four Dickinson Songs by Hoiby 

Other things that I'm looking out for:
  1. Grammy Nominee Announcement Dec. 5 - The Kansas City Chorale has been nominated and has won several Grammy's before...fingers crossed!
  2. Opera "How the Camel Got Its Hump" World-Premiere - look for announcement on this very soon, but it will be a children's opera here in Kansas City based on the Rudyard Kipling story
  3. Possible trip to Miami...
  4. Graduate and get a decent job that's worthy of the time and work I put into things!!
To explain my Doctoral Comprehensive Exams, I need you to imagine as if you were required to conduct ten operas over one month.  If that's not the most obscure part, you also won't find out what the operas are until opening night.  Whether you have studied music or not, you would first need to figure out some method of frantically waving your arms so you don't look completely incompetent.  And of course, you would try to study every possible opera that you could in case you were given one of them.  Essentially, it is an impossible task to prepare for.  In a way, however much less dramatic, my exams were like this.

I had ten tests over one month: 
  1. two essays on German Lieder that I had the entire month to complete
  2. a listening exam that played 9 random pieces of recorded music spanning the entirety of music history (they were not incredibly famous pieces either) - I had to give the composer, genre, and year that it was composed; I was scared of this test the most! - 3 hours to complete
  3. a theory exam comparing two pieces of music (again from any point in music history) that I was given at the time of the exam - 3 hours to complete
  4. a theory/history exam lasting an entire weekend from 9 AM on Friday - 9 AM on Monday in which I was required to write a scholarly essay on a random subject that I received at the time of the tests
  5. three essays over composers - 2 hours to complete
  6. two more essays over composers - 2 hours to complete
  7. two essays on my profession in the modern world - 2 hours to complete
  8. create a four-year study/performance plan for a hypothetical student - in-studio project
  9. an IPA (International Phonetic Alphabet) and translation test covering French, German, Italian, and English arias - 2 hours to complete
  10. two essays concerning specific performance practices - 4 hours to complete


As you can see, it's a lot, but it was nice that they were timed, or else I could have spent an eternity on some of the topics.  In the meantime I also did many other things. I performed several concerts with the Kansas City Chorale, which in my unbiased opinion is absolutely beautiful!  I performed as a soloist in Beethoven's Mass in C with the Village Orchestra, and I was a soloist in a Bach's "Wachet auf" Cantata with the Conservatory.  I also performed at an incredible gala event at the Kauffman Center featuring many sensational performers - it actually was one of the highest quality concerts that I have ever been a part of.  I was able to work with Pulitzer Prize-winner John Corigliano.  Yesterday, I finished a great concert series with the Te Deum Chamber Ensemble, one of the several choirs that I have been a part of.

And that's not even the end of it!  I completely was consumed with my company the Kansas City Vocal Institute, the election, college football, the MLB playoffs, and soccer.  For all those who think that is too much, you're right.  Fortunately, my wife has been a great help and certainly deserved less crankiness on my part, but Hanukkah, Christmas, her birthday, and New Year's are all coming up - plenty of presents await!

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That leads me to another very important topic - every year I advertise the Best Operatic Holiday Gifts, so look out next Monday for my list!


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Sometime on Wednesday, November 14, 2012, Bryan Pinkall's World of Opera will record its 250,000th reader!  I began this blog to record my journey into a music career.  I have written about the struggles and successes in finding a school to study opera, auditioning for opera companies, learning many opera roles, and the many other music related things that I have participated in.  I cannot believe the constant emails from readers, the occasional perks of touting my favorite things and groups, and I unfortunately I still receive hate mail from Susan Boyle fans, but I am thankful for you too!  Thank you to everyone who reads this - you have given me your time and support, grazie mille!!!!!

Monday, August 27, 2012

Performance Schedule

My performance schedule for this year is always fluctuating.  Now, when you come to my blog, you can just click on the link in the black bar above to check out what concerts I have coming up!  As always, I will be singing at Village Presbyterian Church every Sunday morning - but this would be a very long post if I included all of that!

Behold...



Saturday, January 26

Horse, "How the Camel Got His Hump" opera
WORLD PREMIERE
White Recital Hall, KC, MO
10:00am - $10






Sunday, February 10

55th Annual Grammy Awards
Los Angeles Convention Center and Staples Center
Los Angeles, CA
7:00pm CT - CBS

KC Chorale nominated for "Best Choral Performance" and "Best Engineered Album, Classical"





Sunday, February 24

Conservatory Choir Concert
White Recital Hall, KC, MO
7:30pm - Ticket info not available








Monday, February 25

Kansas City Chorale and The Concordia Choir
Village Presbyterian Church, Prairie Village, KS
7:30pm - $10-$25
CLICK HERE FOR TICKETS




Saturday, March 2

Conservatory Choirs
A Celebration of Peace
Community of Christ Temple
Independence, MO
FREE








Saturday, March 9

Rock of Ages
Kansas City Chorale
St. Michael the Archangel, Leawood, KS
7:30pm - Price $30 (student $10) 
CLICK HERE FOR TICKETS








Sunday, March 10

Rock of Ages
Kansas City Chorale
Visitation Church, KC, MO
2pm - Price $30 (student $10)
CLICK HERE FOR TICKETS










Tuesday, March 12

Rock of Ages
Kansas City Chorale
Asbury Methodist, Prairie Village, KS
7:30 - Price $30 (student $10) 
CLICK HERE FOR TICKETS






Sunday, March 17

Rock of Ages
Kansas City Chorale
Liberty United Methodist, Liberty, MO
7:30 - Price $30 (student $10) 
CLICK HERE FOR TICKETS




Saturday, April 6

Rock of Ages
Kansas City Chorale
Cathedral Basilica of St. Louis, St. Louis, MO
Ticket info to come...




Sunday, April 14
Evangelist, St. John Passion - J.S. Bach

with UMKC Conservatory Singers
Grace and Holy Trinity Cathedral, KC, MO
7:30pm - FREE







Sunday, April 28
Soloist, B Minor Mass - J.S. Bach

Helzberg Hall, Kauffman Center for the Performing Arts, KC, MO
7pm - FREE
CLICK HERE FOR TICKETS







Monday, May 6

Beethoven Symphony No. 9
UMKC Conservatory of Music and Dance
Helzberg Hall, Kauffman Center for the Performing Arts, KC, MO
 7:30pm - Price $31 
CLICK HERE FOR TICKETS








Saturday, May 18

Conservatory Commencement
Helzberg Hall, Kauffman Center for the Performing Arts, KC, MO
10am - FREE
CLICK HERE FOR TICKETS

Friday, May 24

The Chorale at the Kauffman: the Durufle "Requiem"
Kansas City Chorale (with great friend, Jan Kraybill) Helzberg Hall, Kauffman Center for the Performing Arts, KC, MO
8pm - Price $46 
CLICK HERE FOR TICKETS






PREVIOUS CONCERTS



Sunday, October 7

Northern Lights
Kansas City Chorale
Redemptorist Church, KC, MO
2pm - Price $30 ($10 student) CLICK HERE TO PURCHASE TICKETS












Sunday, October 7

CANTATE!
UMKC Conservatory Singers
White Recital Hall, KC, MO
5pm - Not Open to the Public





Tuesday, October 9

Northern Lights
Kansas City Chorale
Asbury Methodist Church, Prairie Village, KS
7:30pm - Price $30 ($10 student) CLICK HERE TO PURCHASE TICKETS







Sunday, October 14

UMKC Conservatory Singers Concert
Village Presbyterian Church, Prairie Village, KS
3pm - FREE








Sunday, October 28 - Soloist, Mass in C - Beethoven

Beethoven in the Village
Village Orchestra, Village Choir, JCCC Chamber Choir, Valley View UMC Chamber Choir
Village Presbyterian Church, Prairie Village, KS
5pm - FREE






Tuesday, October 30

David Farwig recital
UMKC Conservatory Singers
Old Mission UMC, Prairie Village, KS
7:30pm - FREE










Friday, November 2

CRESCENDO
UMKC Conservatory Singers
Helzberg Hall, Kauffman Center for the Performing Arts, KC, MO
Invitation Only







Wednesday, November 7

John Corigliano Concert
UMKC Conservatory Singers
White Recital Hall, KC, MO
7:30pm - Price $9 (free for students) CLICK HERE TO PURCHASE TICKETS












Saturday, November 10

The Sacred Around Us
Te Deum Vocal Ensemble
Cathedral of the Immaculate Conception, KC, MO
7:30pm - FREE






Sunday, November 11
The Sacred Around Us
Te Deum Vocal Ensemble
Village Presbyterian Church, Prairie Village, KS - 3pm - FREE





Monday, November 12

The Sacred Around Us
Te Deum Vocal Ensemble
Corpus Christi Catholic Church, Lawrence, KS
7:30pm - FREE












Saturday, December 1

Harvester's Concert
UMKC Conservatory Singers
Visitation Catholic Church, KC, MO
7pm - FREE









Saturday, December 8

Family Holiday Concert
Kansas City Chorale, 8 High School Choirs
Visitation Church, KC, MO
7pm - Price $10 CLICK HERE TO PURCHASE TICKETS







Sunday, December 9

The Holidays in Great Britain
Kansas City Chorale
Redemptorist Church, KC, MO
2pm - Price $30 (student $10) CLICK HERE TO PURCHASE TICKETS







Tuesday, December 11

The Holidays in Great Britain
Kansas City Chorale
Asbury Methodist, Prairie Village, KS
7:30pm - Price $30 (student $10) CLICK HERE TO PURCHASE TICKETS







Sometime, December 2012

Bryan Pinkall's Doctoral Recital - Village Presbyterian Church (hopefully) - tba







Sunday, December 16

Tidings of Joy
Village Orchestra, Village Choir
Village Presbyterian Church, Prairie Village, KS
3pm & 6pm - FREE



Monday, August 20, 2012

KC Chorale & Yale Wrap-up

Today is my last first day of school.  It also may be the first last day of my car, which wouldn't start after I returned from my fellowship at Yale's Norfolk Chamber Music Festival.

Life on the Estate at Yale's Norfolk Festival

Life on the Estate at Yale's Norfolk Festival

I had an amazing experience with the folks in Connecticut.  The performing went great, but I couldn't tell if I was in Connecticut or in Tolkien's Shire living in my cottage on the Ellen Battell Stoeckel estate (however, the Shire didn't have a chef that could make me gain weight!) It was a perfect week. I was surrounded by brilliant musicians from all over the world, and not to sound too pretentious, but it was nice to not be around "normal" people for awhile.  I cannot wait to meet up with some of my new friends and colleagues in the future.  I have already tried to arrange some recordings when some of us are both in the same part of the world.  Most of all, I am excited about music again.

Before I go any further, I need to say that I will have my upcoming performance schedule available next Monday on my blog - but if you cannot wait to know any concert dates, you can always email me at bryanpinkall@gmail.com.

My schedule in the first half of the year was incredible and torturous, but now I am completely rejuvenated and motivated - thanks, especially to the brilliant Simon Carrington.  This year, as I stated before, I will be performing as a soloist for several concerts: Beethoven's Mass in C, Bach's St. Matthew Passion, and Bach's B Minor Mass at the Kauffman Center.  I am also continuing my internship at Village Presbyterian Church (the third largest Presbyterian church in the nation) and I am loving it - I am still excited about great music performed by enthusiastic singers of any age.

When I was picked up from the train station last week, I was asked, "Where are you from?"  I said, "Kansas City!" The driver responded, "Oh, the Choral Capitol of the World."

Now, I've heard that expression before, but only from people around Kansas City.  However, when a Yale Professor says that; it makes me think a little differently about the comment.  Of course, many great choral directors have and still do direct in the Kansas City metro area, and I am very proud to be a part of the choral community here. In fact, this year, I will be performing as a soloist in several Bach Cantatas at the Conservatory in the monthly Bach's Lunch chamber concerts, which are incredibly fun, especially when there is a room filled like an arena, seating on all sides, with Bach enthusiasts, eating their sandwiches as quietly as possible.  I will also be on scholarship with the Conservatory's top choral ensemble, Conservatory Singers, with Dr. Robert Bode.  As I stated before, I will join the chamber choral group Te Deum for several concerts including the Bach B Minor Mass on my birthday next year at the Kauffman Center with the Kansas City Baroque Consortium. And finally, I am announcing that I will also be performing with Kansas City's premiere vocal ensemble the Kansas City Chorale.

The KC Chorale is a world-famous ensemble, Grammy Award-winning, and passionate about making stellar choral music.  I am very excited to begin working with them, and I cannot wait to see what all the next year will hold, but I do anticipate even more exciting gigs and events.

Many of my upcoming concerts will be held here - Helzberg Hall at the Kauffman Center for the Performing Arts

Monday, March 12, 2012

CARMEN!

Pop some popcorn! Find a nice comfy chair and enjoy some music and videos.

Finally, life is getting back to normal...and I am so excited for the Conservatory's production of La Tragedie de Carmen this week!  If you think something seems a little out of place, your suspicions are correct - it is different than the famous opera, Carmen.  Peter Brook compiled the music for La Tragedie by taking all of the most famous musical segments from Carmen and splicing them together, making a shorter and more dramatic version of the opera for Broadway.  I can tell you right off that it is very sexy and very violent...it's perfect!

I play Don Jose who is the tenor lead (with an awesome aria - and tons of high notes).  He is an ax murderer who finds his "freedom" by being in the army.  As one may suspect, he slowly grows more and more insane as the piece unfolds, and more and more people are killed in increasingly violent fashion.  This rage stems from his love for Carmen and his jealousy for all the other "loves" of her life including a bull fighter and her Gypsy husband.  And, as all great operas go, I kill her in the end!

For the opera purists out there, keep an open mind, it's not too much different than the original; for the American audience, it is full of quick flowing drama and the beautiful music of Carmen.

For those out there who haven't seen Carmen - I GUARANTEE that you know the music from it...let's see if you find any of these familiar: (in fact if you have never heard these before, I would not believe you...as for #2 if you don't recognize it - just skip to 1:20)







How do I know that you have heard these before?  Well...Carmen is completely saturated in our popular culture.  Some of the first Disney cartoons were about Carmen, and even today many of our commercials and TV shows feature music from it as well...here's a brief showing of how popular Carmen is in our world:









The Habanera, Toreador song, and overture are certainly the most famous excerpts from Carmen, but there are three more tunes that Carmen sings that are EXTREMELY catchy as well!







AND THAT'S NOT ALL!!!!  Don Jose also has one of the most heartbreakingly lovey-dovey pieces ever...take a listen:



I didn't even include the fights, stranglings, and stabbings...it will be a wonderful night at the opera for everyone.  If you are in Kansas City this week, I hope you can come.  I will be singing on Friday and Sunday - it's only 1.5 hours long!

La Tragedie de Carmen
White Recital Hall
Conservatory of Music and Dance
University of Missouri - Kansas City
7:30 PM March 15-17, 2012
2:30 PM March 18, 2012

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Last week, I had another successful performance of a Bach Cantata that featured some ridiculous coloratura - fortunately, it is one of the funnest things that I get to do and it went really well!

Next week, I will be singing the National Anthem at the NAIA National Championship Game and I will be going to Chicago to compete in the District and Regional Finals of the National Association of Teachers of Singing Artist Awards.  They require us to submit 18 pieces and they choose 10 minutes of music for us to
sing.  It is one of the biggest song competitions in the US, and I am very excited!

CLICK HERE TO SEE MY SCHEDULE

Monday, February 20, 2012

Doctoral Recital - The Volga German Genocide

I have had an amazing and heartbreaking week.  There are many stories that I would love to share, but alas this is a very public forum.  Unfortunately, I will wait a few years to tell some of the lessons that I have learned this week - not all good things, but great life lessons and professional lessons.

Tonight, I will be singing in the Conservatory's production of Carmina Burana.  I know you all know it - CLICK HERE TO SEE IF YOU DO.  We will also be performing some exciting world premiere pieces including one by the current Pulitzer Prize winner in music, Zhou Long, who is an instructor at the Conservatory here in Kansas City.  You can watch it live on the internet here at 7:30: http://www.umkc.edu/ia/streaming/live-streams.cfm


I have to say that all the time I've spent this weekend in Helzberg Hall has been absolutely incredible.  If you are a choral music person, there is no better place on earth to sing than Helzberg.  I guarantee it will be a religious experience - it's the perfect place for singers.  It's no wonder why many of the greatest singers in the world have scheduled performances here in the coming year.  For example, Juan Diego Florez, the most famous tenor in the world, sang a recital here yesterday.  He only scheduled recitals for Paris, Salzburg, Vienna, and Kansas City!  This place is for real...if you are living in the area, and haven't seen it, you are missing one of the world's greatest performing venues.

But, the biggest event for me this week is certainly my Doctoral Recital:

"Wir wollen Deutsche bleiben"
7:30 PM
THIS SATURDAY
February, 25, 2011
White Recital Hall
Kansas City, Missouri

It should be, hopefully, one of the most unique recitals that you have heard in a long time.  I have waited several years to put this particular recital together.  Watch the video below and I'll explain some of the really unique things that I will be doing.


The phrase "wir wollen Deustche bleiben" or "we want to remain German", was a phrase that the Volga Germans used to solidify the importance of their ancestry in the face of this horrific slaughter.  They were influenced by many cultures and governments but they desired to peacefully live in their agricultural society with a simple but vibrant Germanic society.  Knowing their sacrifice and that their struggle, known as the Forgotten Genocide, completely obliterated their world, I too feel that it is important to keep at least this small portion of their story and culture alive.

I will begin the concert with "Ach, wenn Mutter Wolga" by Cui.  Cui was a famous Russian composer and this is a patriotic hymn to the Tsar.  It was originally written in Russian, but I will sing it in German.  The Volga Germans were forced to sing these in the early 20th century.  It sounds very "Russian" with a somber mode, but if you understand that the point of this concert is to celebrate the Volga Germans, you should know that this is about the darkest and saddest of all songs.  Tsar Nicholas II initiated the genocide on the Volga Germans, so to sing a patriotic song in German, would be the equivalent of Jews in Poland being forced to sing a song praising Hitler in Polish.  It is gut-wrenching.

Then I will sing some songs that highlight the many cultures of their part of the world.  They lived in an area that was filled with many cultures because of the trade routes between Asia and Europe.  They were influenced by India, China, Persia, Russia, and Western Europe.  So, I will sing the first movement from Ravel's Scheherazade.  Scheherazade is a famous Persian tale, and the first movement is called "Asie" or Asia.  It talks about China, India, and all the wonders and dangers in the Orient.  It is normally sung by a mezzo, but is written for high voice and clearly with tenor in mind.  However, I will be making one of the only tenor Scheherazade recordings that I know of existing, so it should be very unique.  I will follow that by singing an aria from the Russian composer, Rimsky-Korsakov, called "Chanson Indoue" or The Song of India.  Both of these selections are in French.  How perfectly multicultural!

Then I will sing Respighi's "Nebbie" - a tenor favorite.  Respighi was an Italian composer, and this piece is in Italian describing the fog rising and setting, a very spooky allegory to life and death.  Respighi was a student of Rimsky-Korsakov and was the principal violinist of the Russian Imperial Orchestra in St. Petersburg.

I will also include some selections that highlight the cultural history of the Volga Germans, which obviously includes German music - so, I will sing a short lied by Brahms and a tenor favorite by Wolf, both German/Austrian composers.

Then I will sing Lenski's Aria from Tchaikovsky's opera Eugene Onegin.  It is in Russian and certainly one of the most famous Russian arias of all time.

Lastly, I will sing the World Premiere of John Mueter's "Three Volga German Folk Songs".  I contacted the library at the conservatory in Salzburg where they have a massive collection of folk songs of Germanic peoples.  They were very kind to allow me to search high and low for songs with their origin in the lower Volga river region.  I found about 30 and they sent them to me over the internet and I sent some of them to John, who was very eager to work on the project.

He composed three songs "Abschied", which is a beautiful song of farewell, then "Soldatentod", which tells the story of a soldier's death on the battlefield with gruesome depictions of the dead scattered under the moonlight, and finally "Der Zecher", which is about a drunk that is sitting at home drinking when Death shows up at his door.  The drunk offers Death a drink, but Death pours it out as a toast to his cousin, Plague's, health.  Death then asks "do you think I can be sold with a drink?" but the drunk pleads, "I'm trying to become a doctor, and if you let me live, I'll give you half my patients."  Death agrees to let the drunk live as long as he is his obedient servant.  So, the piece ends with the drunk, drunkenly singing the joys of living forever because of his deal with Death.  All of these are in German, natürlich.

I have been wanting to do a program like this for several years, and I am very excited to present it this Saturday.  It means so much to me because this is my ancestry, its culture is dying very fast, and it is the 70th anniversary of the mass deportation of the Volga Germans to the GULAG labor camps.  After the genocide, most of the Volga Germans either fled to the United States or Germany or were assimilated into USSR, losing their language and with it, much of their culture.  Today, the most vibrant culture is in the middle of the United States where they still cook, speak, dance, and drink like they did in the Volga region.  However, with the loss of their language in recent generations, there just aren't enough decedents to promulgate their culture further.  Sadly, it all was irreversibly destroyed in the genocide.

Monday, November 21, 2011

Busyness Business

Hopefully everyone had a great time looking at my Basilio pictures.  And for your entertainment (and my embarrassment) here is yet another one from my facebook page.


I had several muses for the role, including a friendly drag queen and Jack Sparrow.


Hopefully, I will now be able to retire this character.  Where are all the heroic tenor roles?  I once had to play the role of a Rhinestone Cowboy in a Pasatieri opera.  I suppose I just give off some weird vibes in my opera auditions.

Anyway, I am very thankful to have a week free to celebrate Thanksgiving, watch football, and relax.  I haven't talked very much about my upcoming schedule, but it is packed with all kinds of awesome things.

YOU CAN CLICK HERE TO SEE MY FULL SCHEDULE

Once again, I have several auditions in New York next week.  I am trying to get them all during the same period so I don't have to make too many trips out there.  My schedule is packed as it is.  Anyway, for this trip, the companies that I received invitations from are New Jersey Opera, Saratoga Opera, Pine Mountain Opera, and (tentatively) Opera North.

Following that, I will be the tenor soloist in Messiah at Calvary Bible College on December 2 in Kansas City. I am so lucky to be just the kind of tenor that Messiah was meant for.  I have a feeling that I will have a lifetime of Christmas and Easter Messiah productions.  Luckily, I really enjoying singing the tenor arias, unlike many tenors.  The Baroque period was very unkind to tenors...the castrati ruined everything!

Also at the beginning of December, I will be singing with the Conservatory Choirs in their Christmas festival concert at Visitation Catholic Church on December 3rd.  We will use this unique space to sing some antiphonal pieces.


On the evening of the 10th of December, I have been asked to sing at the holiday party for a major American railroad company at Union Station in Kansas City.  I will sing some classical holiday selections in what will be an incredible venue for music, as the cavernous marble-laden lobby will certainly echo music like an enormous cathedral would.


The following day, December 11, I will be singing a Lessons and Carols concert with the Spire Symphonic Chorus at the Community of Christ Peace Temple, which is one of the most amazing music venues that I know of.  The concert will feature one of my good friends and certainly one of the world's greatest organists, Jan Kraybill.


On December 13, I am very excited for a special audition for the Kansas City Symphony that I was generously offered.  I don't have much to say about it right now other than it requires my Cyrillic Alphabet reading skills.

The following weekend, I will be singing with the Kansas City Symphony and the Kansas City Symphony Chorus in their Christmas Festival.  It will certainly be a blast and DON'T MISS IT IF YOU LIVE IN THE AREA!  There are many performances, and it will get you in the Christmas spirit.  Of course, this concert will be in Helzberg Hall at the beautiful Kauffman Center for the Performing Arts.


Additionally, I will be a soloist for a couple of concerts with the Village Symphony and Chorus on December 18 in their "Tidings of Joy" Christmas festival.  As you can see, if you need to get some extra Christmas spirit in you, just hang out with me!!  Unfortunately, I can get a little grouchy, scroogey, and grinchy with my life being a near endless stream of Christmas music.  (It can become annoying in a way...similar to how I can't ever figure out the words to Wooly Bully, and then it gets stuck in my head because I like the tune, which means I have to whistle it, all the while I still can't figure out the words, and frustration ensues.)  Christmas music so easily gets stuck in my head, partly because it is enjoyable or perhaps it is just simple and catchy, and becomes annoying over a long period of time if that is all that I can think about!  Nevertheless, I hope to see you in the audience, as these concerts will be a lot of fun!

I will soon have a lot more to say about my schedule for next year.  I am performing a recital in January dedicated to the memory of those lost in the Soviet genocide of the Volga Germans 70 years ago, featuring a new song cycle based on Volga German folk tunes written by composer John Mueter especially for this occasion.  I am so thankful for the work that he produced, and the enthusiasm that he had for writing this. And the day before the recital, I will be a soloist in a Bach cantata back at the beautiful Visitation church. 

In February, I will be singing with the Kansas City Symphony Chorus at the Kauffman Center in their production of Mahler's Second and I will be singing with the Conservatory Choirs later that month in a production of Carmina Burana also at the Kauffman Center.  

In March, I will be Don Jose in La tragedie de Carmen at the Conservatory, and then competing at the regional NATSAA competition in Chicago.  

In April, I will be singing with the Conservatory Symphony and Choir in a production of Chen Yi's Chinese Myths at the Kauffman Center and I will be a soloist for a production of the Pulitzer Prize winning composition The Little Match Girl Passion at Grace and Holy Trinity Cathedral in Kansas City.


And finally, I will be singing in a world premiere of a new Libby Moyer comic opera in Harrisburg, Pennsylvania for Capitol Opera at the Whitacre Center in June.


Next week, I will have information about the celebrities participating in this year's KCVI Celebrity Auction! I'm so excited to tell you all about it, but I'll hold you in suspense until then.

Thursday, November 17, 2011

Basilio - Self Portraits with Cell Phone

Le Nozze di Figaro
(The Marriage of Figaro)
Comedy by W.A. Mozart

Conservatory of Music and Dance
University of Missouri - Kansas City
White Recital Hall
Thursday, November 17 - Sunday, November 20
CLICK HERE FOR TICKETS

(I'm Basilio by the way - I am a music teacher who loves to snoop in on other people's business, mess with their lives for my own entertainment, and am struggling to weasel my way into the upper class...oh, and I'm a total fop - how ridiculous can it get?)



 





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