Showing posts with label pop vs. classical. Show all posts
Showing posts with label pop vs. classical. Show all posts

Tuesday, September 6, 2011

6 Classical Music Pieces to Commemorate 9/11 - #6 The Star-Spangled Banner

The Star-Spangled Banner
The National Anthem of the United States of America
Lyrics from Francis Scott Key's poem "Defence of Fort McHenry"
Music from John Stafford Smith's "To Anacreon in Heaven"

O! say can you see by the dawn’s early light,
What so proudly we hailed at the twilight’s last gleaming,
Whose broad stripes and bright stars through the perilous fight,
O’er the ramparts we watched, were so gallantly streaming?
And the rockets’ red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there;
O! say does that star-spangled banner yet wave,
O’er the land of the free and the home of the brave?

Why it was influenced by September 11:  The national anthem provides a great sense of national pride in Americans.  Of course, we associate it with the Olympics and many other sporting events.  After the attacks, musically, the national anthem went through a brief transition away from popularizing the tune.  In 1968, Jose Feliciano became the first to sing the national anthem in a pop style during the World Series.  Since then, many of the great pop, jazz, blues, country, and other genre specific singers applied the national anthem to their style.  This caused controversy initially, however it has since became a part of an artist's prerogative.  After the attacks, the country responded by preferring the strength of the classical, militaristic form of the national anthem and to more classic pop songs, like God Bless America, than to any more modern pieces like God Bless the USA.  By programming the national anthem in such a way, it allowed the public to vent and live their pain, anger, and fortitude through the power of the universally recognized, stately version of song.  Just like a little folk tune, everyone could participate and unify in the same melody - something difficult to do in popularizations.  This was our song.

What to listen for: The bass line (each of these examples have slightly different versions). I know we all know this song pretty well.  Essentially, when we hear the national anthem, people concentrate on the melody and the words (especially stuff about rockets and bombs - and the home of the brave - or the home of the Chiefs if you're from Kansas City).  This time, notice the bass line along with the melody.  See how it colors the melody differently; how it provides gravity into the unison parts on "twilight's last gleeming" etc. and how it provides great tension until the very end.  This is the beauty of chorale tunes.

Here is an example played at the changing of the guard at Buckingham Palace in London after the attacks.  Try to forget that they don't repeat the first phrase...give them a break! They're British!


Here is a stunning example of one of the world's greatest orchestras, The Cleveland Orchestra, in they're tribute concert in September of 2001.  Notice how vigorous the audience is belting (as well as the conductor).



This even spilled into church services.  Here is an example of the National Anthem played at a memorial service at St. Paul's in London.



Finally, one of the greatest moments, and one that I have never forgotten.  The 2002 Winter Olympics were in Salt Lake City, Utah only a few months after the attacks.  The Opening Ceremony was a gigantic tribute to our country in a grand spectacle that since that time we have yet to replicate.  However at the moment of the National Anthem, the whole ceremony stopped and this is how it played out...



We learned a lot about America because of the events of 9/11.  In music, our collective hearts were warmed to an idea that the simple form of our National Anthem provided a great expression of our sorrow, fear, and pride.  This simplest form, without any added artistic desires from pop stars or others, became a healing power for us all.  There was nothing more comforting than our song during such a terrifying and traumatic time.

Wednesday, June 29, 2011

The Art of Singing (for tenors) Part 3

Aria #3 - Nessun Dorma

We ended yesterday's post with some Lithuanian talent, and unfortunately that leads us to our last aria - let's see if his technique improved as he sings one of the most famed tenor arias of all time in the Semifinal round of Lithuania's Got Talent.  You may want to take your dogs outside now, so they don't howl for 3 minutes straight!



Yes, you saw that correctly.  He got a standing ovation. And, in case you have said "well that didn't sound too bad", let's get some things straight.

Besides the fact that there are thousands of tenors that can sing Nessun Dorma better than that, you probably are considering many other criteria and attributing them to being a "singer". For example, Susan Boyle is an average singer - technically that is - but some believe she is a great singer because of her personal story and that emotion comes across in her performance. It's ok to say that you enjoy her singing because you feel so inspired, but you are likely not separating her technical ability from things that have nothing to do with her voice.  This is really common in pop music - an average singer may be a very gifted performer - and with the help of techno beats and auto-tune, they are a multimillionaire.



Well, tenors, most Americans, as hard as they try, will have difficulty separating singing and performing.  So it is important to be proficient at both!  Some are so bad at determining a great singer that they will insist that Susan Boyle has the best voice ever given to a mortal.  However, from past experience, they are likely just trying to make you mad.  If that's the case, you should ignore them - or if they're family, a nice religious or political jab should do.

By the way, I am completely terrified to hear what Lithuanians actually listen to.  In the end our guy eventually lost to an accordion.  I give him credit for trying, but that just doesn't cut it, except in Lithuanian pop culture obviously.



So what does a tenor do in a world that doesn't know any better?  Well, Pavarotti made this aria a pop culture phenomenon because of his charisma and power and unfortunately many pop stars have tried their luck at it.  People will appreciate music for many reasons, just perhaps not technique - which is a strange thing since people throw around the word "talent" all the time.  In the end, tenors, if you capture someone's emotion beyond their reach of their own capabilities, that's the end game.  Being the best is one thing - being appreciated is another.

If you're not a musician, please take the time to consider technique, before you are "drugged" by the performance.  However, if you are a singer, make sure to always be accepting of peoples' appreciation.  Even though American's aren't the smartest when it comes to art music, they are very generous and have little contempt in their praise.  It can be depressing and lonely when no one appreciates your music like it was intended, but always remember that your performance can touch the inner self of every person out there.  That is the magic and beauty of art.

In the end, being a tenor takes great technique in proper resonance and in breathing, but it also takes a great mind and a performer's mentality to really effect people.  For most, it takes years of tireless practice to come close to being proficient in these things, however there certainly are exceptions.  Some people with little education develop great instruments - still very raw though - here's the story of one such tenor...

Monday, June 20, 2011

The Pied Piper

If you build it, I will come...evidently...like a child following the pied piper.

EXAMPLE #1

The Kauffman Center for the Performing Arts will be opening soon!



As you may know, I auditioned for next year's Lyric Opera season and was not hired, however I have been in touch with them recently and they are very interested in having me with their company in the future.   I was sad that I could not perform in their new opera house this, their first season.


However, I did not give up and have talked to the Kansas City Symphony at least six times about their program with the Symphony Chorus.  Unfortunately their auditions are held at the same time that I am in Chicago in an opera production.   Well, thankfully, they are allowing me to make a special audition on the day that I return to Kansas City from Chicago - which also happens to be my 2nd wedding anniversary to my wonderful wife, Dusti.  Hopefully, the audition will go really well, and hopefully I will be able to sing on their season this coming year in the immaculate new symphony hall.

Click on the picture for a closer look!

From all accounts, it is expected to be one of the greatest halls, acoustically that is - and that's all that matters, in the entire world.  Unfortunately, I do not expect that I will be able to witness the Grand Opening Events for each of the halls.  The events will feature Placido Domingo, one of the greatest tenors in all of history (whom I had the great honor of seeing live, with my dad - by the way, Happy Fathers' Day dad - notice the correct placement of the apostrophe), and Itzhak Perlman, the violin virtuoso.  I can't go because to attend the Grand Opening of the Opera House, tickets range from $1,000 to $50,000!!! Comparably, with a little luck from under your couch cushions, you can attend the much more affordable Grand Opening of the Symphony Hall with tickets ranging from $500 to $30,000 - what a bargain!  Want the best seats in the house for both nights? Well, you get a $10,000 discount if you buy the Platinum Package - you'll get to see both concerts in the best seats for a meager $70,000. Interested? Here's the order form.

SIDENOTE

Nonetheless, I got an audition for the Symphony Chorus.  And, this week I also had an audition to do some solo work for Village Presbyterian Church, the fifth largest Presbyterian Church in the world.  They do almost exclusively major works by the greatest composers (Bach, Beethoven, Brahms, Mozart, etc.) as well as other chamber music of legitimate classical music traditions - which means to me that their congregation must be very well educated and cultured...just my kind of people.

I mention this because (college music students listen up!) as soon as I started the audition, they asked me first to sing a solo.  So, I did.  Then they asked me to sight sing - just like a college proficiency test.  For example: Sing the following example below - you don't get to use an instrument or piano - this is the first time you've seen the music, and you must sing it correctly a capella (alone, solo, without help)

Seems impossible, huh? Well, that is what I had to do.   In college, musicians learn tricks to help us with these kind of things.  Then I did a rhythmic dictation test - it is similar to the example above only if I clapped the notes in rhythm. Lastly, they gave me a German paragraph and Latin paragraph to read, read correctly, with correct diction, and with the correct accents (Americans are horrible at this).  Then we talked for a while about the program.  Well, I just found out hours ago that I got the job.

It should be a great thing.  I feel that they are very anxious to have me on board.  It's nice to feel wanted and needed instead of used, but I haven't felt that way in a long time; the last church I was at, UUMC in Salina, KS was a amazing place for me.  I am lucky to be hired and treated as a professional musician.

SIDENOTE OF THE SIDENOTE

Which brings me to another tangent - I am excited that the job doesn't involve Praise and Worship music!!!  Some I suppose will never understand why most musicians don't enjoy this.  The reason is that we spend years, passionately learning and perfecting music, and then we are required to perform the simplest, and sometimes the most abusive forms of it.  Wouldn't that make you crazy?  To me, art music is an education; popular music is a drug.  It is great to rapturously enjoy music (the drug), I certainly do, but in music we can also experience our mind, character, and stretch the bounds of our natural abilities (the education).

EXAMPLE #2

This last week I visited the new Livestrong Sporting Park to see the US vs. Guadeloupe Soccer match.  Like most things in life, I am wildly passionate about soccer.  And this was my first game in the brand new stadium in Kansas City and my first game seeing the US National Team...my favorite national team of course.


The US National Team won 1-0 and advanced to play Jamaica in our Continental Championship, the Gold Cup - the "World Cup" of North America, Central America, and the Caribbean.  But that's not all, I will also be singing at the Sporting KC game at Livestrong Sporting Park this weekend when they play Vancouver.  And since they are playing a Canadian Team, I will be singing O Canada as well as The Star-spangled Banner.  I hope to see you at the game if you can make it - 7:30 on Saturday, June 25.  That's THIS COMING SATURDAY!


And for some special fun for any geeks like myself out there, click here to visit the virtual venue where you can view the stadium from any location.  Can you find out where I was sitting from my picture above?

EXAMPLE #3

My love of sport has begotten my love for sports architecture.  And what is the pinnacle of sports and architecture?  THE OLYMPICS of course.  Now, I have a special place in my heart for the Olympics...better yet, I have a special heart for the Olympics.  It is one of the most exciting times in my life...it is all consuming - be that good or bad - I love it.  And, many don't know this, but I was so captivated by the 1996 Opening Ceremonies in Atlanta, because it was staged almost entirely as an opera depicting the history of the South, that it inspired me to become a musician.  It is just one of those unique events, where money is almost no object, and the imagination and creativity of the world comes together to create a piece of art unmatched in scale and appreciated by everyone on earth.  How often does art effect so many, so effectively?

Anyway, one of my friends from college happens to be an architect at Populous, an architecture firm here in Kansas City.  They used to be called HOK, but they are significantly one of the world's most prestigious sports architecture firms - click here to see a list of their past projects.  And, if you notice, they have designed sports venues including Livestrong Sporting Park and stadiums for every Olympic Games since 1996.

Well, my friend offered to let me take a tour of their work on Thursday.  I am not sure what I will be seeing but I am incredibly excited.  I know that they have been recently working on the Olympic Stadium for the 2014 Winter Olympics in Sochi, Russia.  They may be working on a different project now, but I will find it all fascinating!


EXAMPLE #4

Dusti and I went to Shakespeare in the Park, in Kansas City and saw Macbeth last night.  It is packed with people and runs for 18 straight days, until July 3.  I am loving the culture of our metro area.  It is so energetic compared to many other places in the US.  


And, lastly, next week we'll take a look at the Art of Singing for tenors.  Here's an example of the glory to come...



UPCOMING PERFORMANCE SCHEDULE

June 25 - National Anthem - Sporting KC vs. Vancouver - Livestrong Sporting Park - 7:30pm
July 21-August 7 - Sugar Creek Opera - Daughter of the Regiment - August 4, 5, 7 - Watseka, IL (near Chicago)
August 8 - Audition - Kansas City Symphony Chorus

much, much more to come!...

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